Tag Archives: Raleigh

Rolling Stones | Raleigh NC | 16-Sept-89

The Rolling Stones. A band that I was not heavily into at the time I went to this concert. I was a Beatles fan and The Stones were cool and all that but they weren’t the greatest rock-n-roll band as their fans claimed them to be in my eyes. That was all about to change.

Nontheless I was a fan of their music. I bought Tatoo You as a freshman in high school and really liked the entire album. Their previous album as a favorite of mine as well, Emotional Rescue. So I was stoked to finally see them.

I remember my older sister had seen them back on the 81 Still Life tour and told me what a fantastic show it was. She was probably the biggest Stones fan in our family.  My brother had a copy of Hot Rocks and we used to listen to it often. Also they were a constant on the classic rock stations of the time.

The Stones had not toured in several years due to Mick and Keith fueding in the 80s. I actually never thought they would tour again due to all the press and hype.

This was a good time for concerts in Raleigh. The Who, Pink Floyd and The Grateful Deal would all play Carter-Finely during the time I was attending NC State. Most of the big tours typically skipped Raleigh as it had no large concert venue other than Carter-Finely Stadium. You had to drive to Charlotte, Greensboro or Chapel Hill for most of the indoor arena tours.

The opening act was Living Colour who had just had major breakthrough hit with Cult of Personality. The one cool thing a bout The Stones is they always put up and coming acts on their opening bill.  I was big fan of Living Colour, as their guitarist Vernon Reid just ripped it.

Living Colour did a respectable job despite being the opening band. As usual their sound was awful as the crew did not fully push their sound through the full PA system. The stage was huge to say the least. It spanned the entire width of Carter-Finely reaching the upper deck on both sides. Living Colour occupied the center of the stage, the rough equivalent of a small music hall stage. They gave it a great effort the setlist is below.

Living Colour Setlist Carter-Finley Stadium, Raleigh, NC, USA 1989, Vivid

After Living Colour finished their set it was time for The Stones. First I have to mention the stage. It was huge! I had never seen such a large stage before in my life with large video monitors on each side. In addition to it spanning the width of the field and lower deck, it rose at least 50-60 feet up!

They kicked things off with Start Me Up! Full explosions, fire and all stage effects to coincide with the opening guitar lick. Mick Jagger took the stage like no one else wearing a big green jacket with tails, prancing around like only he can. From there they went into Bitch and the full sound of the band and horns section sounded fantastic.

Minus a few tracks from Steel Wheels, the setlist covered their catalog with songs like Tubmlin Dice, Miss, You, Midnight Rambler, Gimme Shelter and Brown Sugar. Some great surprises were the Keith songs Before They Make Me Run and Happy. Two great tunes that Keith shows his singing skills. If he was not the guitarist for The Stones I always wondered what he would have been as the lead singer in a band.

There were two points in the show that I really remember. The first one was during Honky Tonk Woman. During the song giant inflatable women sprung up on both sides of the stage.

The second moment was late in the show during Gimme Shelter. The song had the great backing vocals that Mary Clayton had made famous on the original recording. There was a big staircase on the stage that appeared during the song with the backup singer descending as she belted out the classic line “Rape, Murder, it’s just a shot away!”

The Stones ended the set with Satisfaction and I think everyone attending was well satisfied with the performance. They came back out for one encore of Jumpin’ Jack Flash. Mick thanked the crowd, introduced the band and that was it.

This would be the last tour that original bassist Bill Wyman would play with The Stones and it was amazing. Although he and drummer Charlie Watt appear extremely subdued during the performance, their playing was excellent. Also Chuck Leavell, former member of The Allman Brothers Band was on piano and is still playing with The Stones!

After this show I have to say I became a much bigger Stones fan. Mick Jagger has more stage presence than anyone I had seen at that time. I remember saying how impressed I was with him after the show. Constantly moving, dancing, pointing at the crowd and engaged with all 50,000 fans without missing a beat. The Stones are one of those band you have to see live to really appreciate what they bring to the stage.

The Rolling Stones Setlist Carter-Finley Stadium, Raleigh, NC, USA 1989, Steel Wheels

Quick author’s note, this post is dedicated to the biggest Rolling Stones fan I’ve ever known, Cary Rowells!

Allman Brothers Band | Raleigh, NC | 11-Aug-07

This will be the first of many Allman Brothers Band (ABB) concert reviews as I’ve seen the band many times. By looking at my stubs it’s at least 13 times. Most of the shows were at this venue, Walnut Creek Pavilion. The Allman Brothers Band held the distinction of playing the venue every year for the first 19 years. The only reason the streak stopped was due to Gregg Allman overcoming hepatitis and getting healthy enough to tour again.

I have to admit that I’ve seen other bands more times in clubs. This is the most concerts for an artist of their stature, being in the Rock and Roll Hall of Fame for instance. I was a latecomer to seeing the Allman Brothers Band as I was not a big fan until after college and moved to DC. A big reason that I became interested was Warren Haynes. I really like Gov’t Mule when they first came out and wanted to see Warren play with ABB.

Eat A Peach

What made this show special for me was that I had been listening to Eat A Peach all week long wanting to hear some of the songs. The Brothers did not let me down as they played several  songs off this album and played them early in the set that was very nice after the extended listening all week.

The Drive-By Truckers opened up and had a great opening set. I’ve seen them a few times and need to get into their catalog more. I enjoy their sound and they sounded good.

Drive-By Truckers Setlist Walnut Creek Amphitheatre, Raleigh, NC, USA 2007

Reviewing this setlist makes me happy that I purchased the Instant Live recording of the show. Even though the Allman Brothers Band allows tapers to record the show, few tapers post the files online. It’s still an old school network among ABB tapers. Instant Live and other services allow you to typically buy the show approx 60 minutes after the show. But you can also order the show from their online store which is what I do since you. That way you can see how much you really liked the show before purchasing.

ABB opened up with Les Brers in A Minor, the beuatiful instrumental from Eat a Peach. I immediately knew this was going to be a good show. I love instrumentals and the way this song builds with its melody and weaves jazz, rock and a bit of funk. They followed with Statesboro Blues, a cover song that they’ve come to own in the modern era.

Next was Ain’t Wastin Time No More and it went from good to great! Another beautiful song Gregg Allman wrote after his brother Duane Allman passed. Well I had gotten my wish, ABB opened with 3 great songs off Eat a Peach.

The Allman Brothers Band Setlist Walnut Creek Amphitheatre, Raleigh, NC, USA 2007

The next 2 songs were newer ones released off Hittin the Note.  Then came Stand Back which I had really grown to appreciate the prior week while listening to Eat a Peach. The groovy sound it has really captures the 70s rock sound. Greg’s voice was sounding great, Warren and Derrick Trucks were switching off slide guitar leads like nobody else can and the bass and drums were keeping the uptempo beat.

Southbound was next and this was a great version. ABB had left this off the setlist the past few years after Dickey Betts left the band so it was nice to hear it again. Always like how Warren fills in the backing vocals with that baritone voice. John Neff of Drive-by Truckers sat in for the song and added some extra guitar sound and it kicked ass. The next song was a cover of The Weight by The Band. One of my all time favorite songs and If you can’t have Levon Helm singing this one, Warren does a nice job filling in.

Dreams followed and this is the point in the show where if it ended now you were satisfied. If you’ve never seen Gregg Allman perform this song live it should be on your list to see. Don’t Keep Me Wondering followed and this song has a great ending where it repeats the closing guitar refrain and jams out. The next song is another favorite, Melissa. I’ve heard this song my whole life and it always touches me how beautiful of song it is and it’s another gem from Eat A Peach.

All this set up the massive jam fest that would close out the show. The sequence starts with a Muddy Waters cover, The Same Thing>JaBuMa>Mountain Jam>Smokestack Lightning>Mountain Jam and it was one of the best sequences I’ve ever seen ABB p
lay. JJ Grey of Mofro played harmonica and vocals on Smokestack Lightning. The slow intro of Smokestack with Warrens guitar and JJ’s harmonica was bluesy as could be. It was a nice break up of Mountain Jam as well.

After a short intermission the encore was Revival, another fantastic intstrumental. I had not heard this song many times and was happy to hear it versus some of the other songs they tend to close with like Nobody Left to Run With.

I hope to catch the Allman Brothers Band this year as it’s their final year of playing. Warren Haynes and Derek Trucks will be leaving the band at the end of this year to devote themselves to Gov’t Mule and Derek Trucks band respectively.

There was a good airing of the Allman Brothers Band history on NPR last weekend as well. Here is a review of the new book, One Way Out about the history of the band.

If you get a chance to see the Allman Brothers Band this year and you’ve never seen them, take the opportunity and go. It may be their last tour and they are truly one of the greatest live bands in the history of rock.

Allman Brothers Band, Raleigh, NC Aug 11, 2007

Faith No More | Raleigh NC | 1-Dec-89

Faith No More is my favorite band from my college days. They released their big breakthrough album, The Real Thing, in 1989 and I was lucky enough to catch them that year. I listened to that album probably every day since getting it during the summer and wore it out. Their fusion of metal, funk, and progressive rock was a refreshing bookend to my college music journey.

The Real Thing (Faith No More album)

This was also in the age of MTV and Faith No More became huge the following year, 1990 when their video for Epic became a big hit. Personally I was happy to see many of the bands I had been listening to in college finally getting some recognition.  Watching this now makes me realize just how weird the late 80s/early 90s were in terms of style.

However the video did not breakthrough to the general public until the Spring of 1990. So when Faith No More played The Switch in December of 1989, they were a fairly unknown band on the east coast. Which was fine with me since I was able to catch them at a small venue with a few hundred fans and enjoy the show.

The Switch was located in the “industrial” part of North Raleigh near Hodges St. If I remember correctly, Kenny, the owner of The Brewery would book shows that were too big for the Brewery at The Switch. The Switch was about 4 times larger than The Brewery but it was a rock club and a dump. Sidewinder, Nantucket, PKM and other local bands played there all the time. I never liked going to The Switch, it was nasty, smelly and full of big hair, both men and women. But they booked some great bands in the 80s and was one of the few venues to see music back then.

The opening band was Mind Over Matter, a local group with similar fusion sound. I knew most of the members and always enjoyed seeing them perform. I don’t remember seeing them play that night but I’ve been told they killed it.

I remember going to the show with several friends and seeing many others before and after the show. The setlist I pulled together based on memory and setlists from recent shows of that tour. They may have played some of the newer songs that were appearing in the setlist during this leg.

Faith No More opened with the lead song from The Real Thing, From Out of Nowhere. This is a great opening song as it has a lot of energy and gets you pumped. Falling to Pieces was a few songs after and I was stoked since this song really spoke to me. My last year of college was a bit of an emotional roller coaster and I felt the lyrics to this song encapsulated my experience.

Then came the title track, The Real Thing and FNM just went off. The build up of this song and heavy guitars really make you realize how brilliant this band was. Mike Patton’s vocals are all over the place but in total control. The other songs that were really great during this show were the instrumental, Woodpecker from Mars and Zombie Eaters. The latter song was similar to The Real Thing in how it started slow and built up.

Of course you can’t write about Faith No More without mentioning Epic. At this time the song was not getting heavy airplay. What was interesting about Epic is that it had the different sounds fused together, rap, funk, rock, metal. But that’s what Faith No More was, a fusion of their different sounds. The clip below is hilarious in that Arsenio Hall is the host with a terrible intro and the band’s wardrobe is funky and stupid at the same time.

They closed out the show with their cover of Black Sabbath’s War Pigs. Their version was eventually selected for the Sabbath tribute album and kicks ass. Patton is able to cover Ozzy’s range and more and really makes this song sound like it was written for him.

What made this a favorite concert was that Faith No More’s sound was the culminations of all 5 members coming together. Mike Bordin pounding the drums combined with Jim Martin’s heavy guitar created a solid heavy metal sound. Billy Gould and Roddy Bottom on bass and keyboards respectively, sound as if you took Geddy Lee and split him into 2 musicians. Gould provides a great funk sound while Bottum gives progressive overtones with his keyboards and piano pieces.

Fronting the group with a big vocal range was Mike Patton, one of the lead singers of his time. I could go on for days about how brilliant Mike Patton is and how he continues to be a true experimental musical genius. But at this show he was still working hard and being his usual weird self. I remember him loading out the gear after the show which was odd. I think he wanted to get back to the hotel as fast as possible. Or maybe he wanted to do it. You never know with Mike Patton and that’s one of things I like about him.

After the show we hung out with Billy the bassist who had become friends with my friend Walter when COC toured out west years earlier. We took Billy to Char Grill to get some food and then hung out listening to music and talking for a few hours. Billy was a real cool dude and I was impressed with some of his musical influences he shared like Sade.

Overall this was a great show and lived up to my expectations. Faith No More played loud but is sounded good through The Switch’s PA system. The guitar was heavy and bass thick. Mike Patton sang his ass off. I would only get to see this band one more time before they broke up but I’m glad I caught this show.

If you’re looking for a good recording and viewing, Live at Brixton documents Faith No More live at then end of this tour in 1990.

Faith No More at The Switch in Raleigh, NC 1989

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Cry of Love | Raleigh, NC | 13-Aug-94

This post is a bit bittersweet. A week ago Kelly Holland, former lead singer of Cry of Love passed away. The Raleigh music community lost a talented musician to say the least.  The N&O music critic David Menconi reposted a great article about the Cry of Love during their heydey.

To say Cry of Love was a great band is an injustice. These were four experienced and talented individuals that came together at a time when the Raleigh music scene was growing with great local bands. To me they were the best of all of them. They had a great rock sound and played tight. Their sound was just right, no BS, just straight up rock and roll.

Cry of Love had a driving sound that was centered on Robbie Kearns on bass and Jason Patterson on drums. Audley Freed on guitar is one of the best live players today. And Kelly brought all that sound together with a voice that did not quit. Together they were kind of like a southern-fried Led Zeppelin, with a collection of songs that had terrific range and emotion.

Cry of Love, Brother

Their debut album, Brother is one of my favorite of all times and I can remember listening to Bad Thing for the first time and thinking it was Bad Company. It was hard but bluesy just like the great 70s rock bands like Foghat and Grand Funk, but also with a southern rock tinge a la Lynyrd Skynyrd.

This show was the second time I saw the band. The first was in Washington, DC at The Bayou on a weeknight to a small crowd. I dragged several friends there telling them they had to see this band! But it was a cold, winter night so we were there with about 150 people.

This show was the opposite with the show selling out The Ritz to a capacity 2,500 person crowd.  It was a hot August night and the venue was smoky and steamy due to the poor A/C at The Ritz. It didn’t matter. Cry of Love had just finished a few grueling year of touring to support Brother.


The band had been opening for ZZ Top, Robert Plant, and Aerosmith over the past year.  Their dedication payed off in that they had 3 singles that cracked the Billboard Rock charts with Bad Thing hitting number 1.

So coming home to Raleigh to play for your hometown crowd, friends, family, etc. created a special feeling to the show.  I was excited to see them play in Raleigh as I had moved back to town.  Raleigh was still a small community then and you knew most of locals, so it was a familiar group of people that evening.

I had to piece this setlist together based on songs I saw played on various bootleg CD covers found searching for artifacts. I even asked Jason Patterson if he remembered their old setlists but he could not recall. Cry of Love had a few songs like Broken Toy that were written after the album was released and did a few covers.

Cry of Love Setlist Ritz Theater, Raleigh, NC, USA 1994

Cry of Love  opened with Gotta Love Me that has Audley’s signature bluesy guitar sound that transitions into heavy rock. Kelly begins with his classic “Baby, baby, baby, bay-bee” yell.  Followed by Too Cold in the Winter, a song that builds as it progresses. It begins with a simple beat and southern picking and strumming by Audley. The chorus allows the the sound to build and by the end of the song Kelly is wailing in perfect harmony with the band.

Carnival follows along with a new song, Broken Toy. Carnival is another song that starts a bit slow and builds to a strong chorus. Kelly’s vocals on this song really grab you. Broken Toy showcases Audley’s guitar intro and his amazing guitar playing. I can see why they added this song to the setlist. Drive it Home has some wicked guitar sound to it.

Bad Thing begins with the slow bluesy intro that’s not on the album. For about a minute and half they tease the audience thinking it’s a slow number and then they stop and go right into Bad Thing  missing a beat and they sound great. Next you hear that lick that tells you Highway Jones is coming up. This was the leadoff song on the album and always reminds me of the sound Stevie Ray Vaughn had on guitar. Peace Pipe and Hand Me Down close out the set. Peace Pipe has “hit song” written all over it. I love how this song builds into a tour de force of sound with Kelly belting out amazing yells to close out the song.

I always hoped that one day the guys would get together for a reunion show.  With Kelly’s passing that’s not going to happen. But we can always remember the great times Cry of Love created with their live music. I for one say thanks guys for the great times!

Cry of Love @ The Ritz, Raleigh NC Aug 13, 1994

Bad Company | Raleigh, NC | 23-Jun-09

I’ve never been a huge reunion tour patron. The shows can be a huge disappointment if you favorite band comes out and sounds like a poor reflection of their former selves. Or if half the band is replacements and only the drummer is original, then I’m not interested. Such was not the case when Bad Company did a handful of dates in 2009.

I’ve been a fan of this band since I was a kid. Their songs were on the radio and I remember the original album cover, black with white type. Bad Company was an early “supergroup” in that Paul Rodgers formed a new band after Free with Mick Ralphs from Mott the Hoople, Boz Burrell from King Crimson. They hired former Beatles manager and now Led Zeppelin’s manager Peter Grant and were the first band signed to Led Zeppelin’s Swang Song label. So that made them ever cooler when looking at the artwork. They had the same awesome label logo as Zeppelin!

Bad Company

I had never had a chance to see the original Bad Company and thought I never would. After Rodgers left the group in the early 89s and the band reforming with new singers and a more MTV sound, I figured this was another band ruined by the 80s. Paul Rodgers had only once performed with the band during a 30-date US tour in 1999. Minus Burrell who passed away in 2006, this lineup of the original surviving members for a short 11-stop tour was on my bucket list.

Opening Band: The Doobie Brothers

Ticket Price: $41
Purchase Price: : $10

For this show I tried using Craigslist for the first time to buy tickets. I knew the show would not be a sellout, but I wanted to take my wife and kids so I was looking to save on 4 tickets with face value of $41.00 or $120+. I was able to find 2 sets of tickets for $20 each for a total of $40, just $1 shy of the face value!

I packed up the car with a cooler, some food and a few blankets to sit on. We had lawn seats at Walnut Creek Pavillion which I have to admit I prefer from a sound standpoint. I’ve sat in the covered Pavillion seating area and depending on the band it can be too loud or distorted.  Plus the lawn give space to spread out, this kids can dance, run around, or lie down and crash if they want.

Not only that but The Doobie Brothers were the opening band and I had not seen them before either. I told the kids they were seeing two multi-platinum selling artist for approx $5 each but they were not impressed. This Doobie Bros lineup consisted of 3 original members with the recent return of Tom Johnston on and vocals, along with perennial Brother Patrick Simmons and Michael Hossack on drums.

Photo credit: Kristin Collosso, Lights
Photo credit: Kristin Collosso

This was not going to be a Michael McDonald show with Tom Johnston back in the lineup. Instead it was a great selection of their more rocking songs with the harmonies and backing vocals that made them famous before Michael McDonald joined the band.  Opening Take Me in Your Arms (Rock Me a Little While) and Jesus is Just Alright got me up and dancing immediately.

Tom Johnston sounded great and Patrick Simmons is a rock iron man that ranks up there with the greats on both guitar and vocals. Takin it To the Streets, Black Water and Long Train Runnin’ were spot on to close out the set. The Doobie Bros came out for a nice 3 song encore with China Grove, Without You and Listen to the Music.

Bad Company Setlist Time Warner Cable Music Pavilion, Raleigh, NC, USA 2009

Bad Company opened with Can’t Get Enough, the first song from their first album and it sounded great.  The audience was singing along with the band in no time. Then they went into the second song from Bad Company album, Rock Steady, a slow building, driving song. The hits kept coming as there was no new album to promote or new songs to play.

For Seagull, Paul Rodgers had the audience singing along with them.  Other tracks from the debut album during the set were Feel Like Makin’ Love, Shooting Star and Movin’ On. Each song sounded as good as it did when I first listened to them 30+ years ago. Rodgers voice is still strong and he really knows how to engage the audience.

Bad Company, photo by Kristen Collosso givemethelights.com
Photo credit: Kristin Collosso

The set finished and I knew that Bad Company had to be the encore. The single spot centered on the stage as the grand piano rolled out and Rodgers took his seat.  The slow, ominous build up of the song with Rogers vocals are classic rock at its finest.  Matched up with the heavy guitar sound and you have…Bad Company!

To me Paul Rodgers is enjoying smart choices he made not to be a lush like many of his peers. He looks great for his age and his voice is as strong as it ever was. The only song I would have love to have heard was Good Loving Gone Bad because it rocks and Paul Rodgers has the great line, “And baby I’m a bad man!”

Bad Company, Raleigh, NC | June 3, 2009

Queens of the Stone Age | Raleigh NC | 30-Jan-14

So this is the first review I’ve done for a recent show and I was really excited. I’m a huge Queens of the Stone Age (QOTSA) fan and had not seen them since the Songs for the Deaf tour. The one consistent member of QOTSA is front man, lead guitarist and singer, Josh Homme.  The other musicians have changed often during the early years.  At the same time the band has worked with a impressive list of session musicians including Elton John, Dave Grohl and Billy Gibbons of ZZ Top.

Queens of the Stone Age | Like Clockwork

I have to thank my good friend and former co-worker Rob for letting me know this show was coming. He had never seen them so we grab some tickets and made our way downtown.  We grabbed some dinner and made our way to Memorial Auditorium on a very cold Winter evening. The tour is in support of the latest QOTSA album, …Like Clockwork.

Once we got into the lobby I checked out the swag table to see if they had any prints for the show.  Sure enough they did and it was a very cool cobra in a bottle design on a black background. Reminded me of the old 70s black light rock posters. I knew that I wanted it so I skipped the opening band so that I could shuttle the poster back to my car and not have to hold onto it all night. The opening artist was Chelsea Wolfe whom I had not heard before. She was a bit to goth for me so I have no regret missing her set.

Queens of the Stone Age, Raleigh Show Poster, Jan 2014
Kick ass poster by Brad Klausen

I had a few minutes to say hello to some old friends before QOTSA took the stage.  Once the lights went down I was back and my seat and ready. They opened with You Think I Ain’t Worth a Dollar, But I Feel Like a Millionaire. Great opening track that got the crowd pumped and set the tone for the show. They followed up with the next song from that album, No One Knows. I like when bands do this, open up a few tracks that are not from current album. It’s a great way to get the crowd amped up for the rest of the show.

Next was My God Is The Sun from …Like Clockwork. I really like the groove that this song starts out with. This was the song they played at The Grammys when they were cut off and Trent Reznor sounded off. Then into Burn the Witch which has a similar groove to it. Smooth Sailing off the new album was next, again with a very good groove and some funky riffs. After Monsters in The Parasol (a great rocking song from Rated R) QOTSA went into I Sat By The Ocean. This song has a great sound with heavy bass and driving beat. It’s not typical of their sound in that it’s not heavy and fast.

Queens of the Stone Age Setlist Raleigh Memorial Auditorium, Raleigh, NC, USA 2014, ...Like Clockwork

Like Clockwork, the title track on current album was next. This is a slow song which is typically how they close out their albums. Two songs later was If I Had A Tail. I have really grown to like this song as it has some fun lyrics and slow building sound. The set closed out with Better Living Through Chemistry and Go With the Flow. Better Living is a fantastic piece that builds off the guitar and drums and builds up with some scary vocals. The pause in the middle of the song allows it to build back up with a driving guitar riff. The video clip above captures some of that part of the song. Go With The Flow was the single released from Songs of The Deaf that is about the closest they get to a pop song.

The first set ended and the band took a short break before coming out for the encore. Josh came out alone to play The Vampyre of Time and Money from the new album. This was a different Josh than I’ve seen before, sitting at a piano and pouring his heart into the song. He has really progressed as a songwriter and performer and it showed.

Feel Good Hit of the Summer and A Song for the Dead closed out the show. Feel Good is one of those songs that just thumps with crazy lyrics. Song for the Dead is one of their heavier songs and one of my favorites from Songs for the Deaf. The band totally nailed it.

This was an excellent concert. The band played their asses off. The sound and lights were great. The crowd had energy and everyone seemed to be enjoying themselves. If you ever get a chance to see QOTSA go see them. You won’t regret it.

Queens of the Stone Age Like Clockwork Tour

U2 | Raleigh NC | 3-Oct-09

U2 is one of the bands that I only had a few chances to see prior to this show. The last time they played near Raleigh area was in 1985 when they played at UNC’s Kenan Stadium. There were a few times that I had a chance to see them when I lived in Washington, DC but it was the Zoo TV tour that did not get great reviews and I passed, (which was a total FAIL as Primus opened up for them).

The show sold out immediately and tickets were selling for 2-4 times the face value.  U2 had such a huge stage that the “floor” seating was the entire football field of Carter-Finely Stadium and were the cheapest tickets.  The caveat being that you had to stand the whole show.

My wife @mcdezigns and I decided to use social media to guage the value and supply of tickets.  We decided that we would scan Facebook and Craisglist for a good deal and barring any we would pay up to $100 each for the show the last few days.

Well the bet paid off in that we scored tickets off Craigslist the day before the show. In fact my wife met the seller in the parking lot while I watched my daughter cheerlead for Carolina Copperheads football just across the street at Cardinal Gibbons High School stadium.

U2 Ticket, Carter-Finely Stadium, Raleigh NC Oct 3 2009

I have to admit that this may have been the first time I used social media to get tickets! Typically I would go ahed and buy tickets early if I wanted to go to the show. That way you did not have to deal with scalpers.

With tickets in hand we were ready for the show. We were able to tailgate with some of my oldest friends and college roommates. Along the way into the show I ran into several people, some of which I had not seen since college and gave a quick hello, high five, hug and shake and made our way down to the field. Also the show was just a few days after my birthday so it was great to celebrate with friends old and new.

U2 stage at Carter-Finley Stadium
U2 stage was so big I could not fit it in the picture frame.

To say the stage was huge is an understatement! It resembled a giant tripod but with 4 legs, with a Sci-Fi look and feel. In the center was a moving video screen made up of hundres of LED flat panel screens. The screens would move and change shape during the show.  Almost like “breathing” between songs.

Muse was the opening band and we were able to catch most of their set. I like Muse and enjoyed as much of their set as I could. The problem was typical for the opening band, they sounded like crap because you don’t want the opening band to sound better than the headliner. They owned as much of the stage as they could.

U2 came out to a roaring crowd! The opened with Breathe and Get on Your Boots off the new album No Line on The Horizon.  From there they played Mysterious Ways and then ripped into Beautiful Day. I have to admit that I really love this song. It has amazing energy and I was not disappointed.

After a few more songs they transitioned into my favorite U2 song, New Year’s Day. I can still remember the feeling I had when I saw this video on MTV in high school. It has such a great sound and beat with the opening keyboard and guitar parts. The Edge did not let me down! The continued into I Still Haven’t Found What I’m Looking For.  We were halfway into the first set and I have to admit I was blown away.

U2 Setlist Carter-Finley Stadium, Raleigh, NC, USA 2009, 360° Tour

The set ended strong with Sunday Bloody Sunday, MLK and Walk On. All of these songs speak to me on a personal level. Sunday Bloody Sunday is one of the greatest protest songs ever. MLK represents one of the greatest men of our history while Walk On is another fantastic protest song for someone I’ve never heard of. Yet I find it hard to listen to that song and not feel a connection.

After the set break the U2 came out with One. Bono is one of handful of lead singers that has amazing stage presence as well as seems incredibly humble. I’ve grown to respect his dedication to eradicating AIDS in Africa and being a voice for poverty.

Bono also had a young boy from the audience come up during City of Blinding Lights and share the stage. No doubt that young boy had an experience of a lifetime. Bono also asked for fans to use their cell phones to support one.org. Of course the major challenge was getting online as the providers towers can’t handle the 40,000+ users all at one location.

The show ended with a second encore that began with Ultraviolet. During the song a giant antenna came out of the top of the stage with rotating lights. It was amazing and very cool. The next song was With or Without You which really had the crowd engaged singing along with Bono. The show closed with Moment of Surrender.

I have to say that this show was a favorite concert in many ways. U2 is an iconic band that understands its fans and delivers on the performance. They created an unforgettable experience through the video, lights and sounds that brought the community together for the evening.

Did you attend this show? If so what did you like about the performance? Was it one of your favorite concerts?

 

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